A red glass lamp hangs in the window

of the four-mile floathouse drug up

from the beach on skids and is now our house.

Beside the lamp, red glass objects glitter

in front of mirrored wall tiles lining

a recessed bookshelf—1970s décor.

On the shelves, sits a red glass grape cluster,

a red glass Victorian shoe dish, a couple dozen

uniquely shaped red glass vases,

and wine glasses, a red horse head decanter.

It’s my stepmother’s collection, like her

mother’s similar red glass collection.

Everything is sort of red in our house—

maybe it’s a way to spiffy up something old

and smelling like fish nets—lights, carpet,

free standing fireplace. When we first

decorated our floathouse red, my stepmother

told us a neighbor was startled by our home’s

first hint of red glow. “Like a whorehouse,”

my stepmother laughed back at her, knowing

the family lore about Great Aunt Helen’s

former business venture. One late night,

I sneaked downstairs to see my stepmother

sitting on the couch under nightglow red,

and I wondered why she wasn’t in bed.

In front of her, a red glass ashtray mountained

with half-smoked cigarette butts.

No open windows or doors—we were all

used to inhaling the stale and she was always

lighting one after another.

I creaked across the kitchen as I fiddled

with a handful of swiped cigarette butts

hidden in my sweatshirt pocket.

My stepmother looked up and I feigned

thirst and needed a drink of water.

I could only sneak downstairs on nights

when she was mood-stoned with a med-tamed

migraine, dulled from being the mom

of seven kids, from being assaulted as a teen,

from spending a year in a psych unit up north

in Anchorage. By the red light in her eyes,

I almost believed she was going to offer me

a full-length cigarette from her pack of Vantages.

But a few months later, when I turned 13,

she instead offered me my first communion

of Reunite wine and I gladly sipped it and

sipped it from the pretty Victorian red glass

shoe that she’d let me choose for myself.


About the author:

Vivian Faith Prescott was born and raised on the small island of Wrangell, Alaska, Kaachxana.áak’w, in Southeast Alaska, on the land of the Shtax’heen Kwáan. She lives and writes as a climate witness in Lingit Aaní, at her family’s fishcamp. She is a member of the Pacific Sámi Searvi and a founding member of the first LGBTQIA group on the island. She’s the author of several poetry collections and works of non-fiction and fiction. She facilitates two Alaskan writers’ groups: Blue Canoe Writers and the Drumlin Poets.

Photo by Ashish Kumar on Unsplash