The children are

abstractions, shadows of unknown

things, trailing splintering

bones on patchwork roads

threadbare from the restless tread of calloused feet.

The children are dreamers

planting gleaming glass palaces

on lunar planes, stalling the rot

of their sour breath, the

pop of their knees, the

knell of their bodies

giving out, failing

giving out, falling—

first down the stairs, then headlong

into the open mouth of a grave.

They weep silent

tears for the aches they cannot name, burning

homes, books, each other,

any vessel that cradles the

wretched hopelessness of humanity.

Sometimes, the only mark we

leave behind is wear. We must remember

the lines on our skin are perennial

rings marking the bodies we’ve lived in.

Remember, the tear of the fabric is only

fibre giving way to the leavening of our flesh, of

bodies taking up space to prove they’re still alive.

Because hopeless humans are still humans.

Because aching bodies are still bodies, if

Shadows of the things they

refused to name.


About the Author:

Augustine Tashinga Mudzudza is a writer from Zimbabwe. His work appears in Brittle Paper Magazine and has been shortlisted for the Carnelian Heart Short Fiction Prize. He is an alum of the Idembeka and Caine Prize workshops for creative writing.

Feature image by NIR HIMI on Unsplash